{"id":55,"date":"2024-10-05T00:11:08","date_gmt":"2024-10-05T00:11:08","guid":{"rendered":"https:\/\/hauslendale.com\/kyp\/articles\/?page_id=55"},"modified":"2024-10-05T04:14:34","modified_gmt":"2024-10-05T04:14:34","slug":"instructional-manuals","status":"publish","type":"page","link":"https:\/\/hauslendale.com\/kyp\/articles\/instructional-manuals\/","title":{"rendered":"Instructional Manuals"},"content":{"rendered":"\n\n READ THIS BEFORE DOWNLOADING<\/u>\n <\/b>\n
\n\n Please do not download and copy these scans for purposes of reselling or making a profit. These manuals were either scanned by us or given to us to distribute free of charge, old camera lover to old camera lover. We could sell these, and the good folks that gave them to us could resell them. But we chose to distribute freely. Respect our efforts. If you wish to sell manuals, fine, go buy one and scan it yourself and sell it to your hearts content. But please leave ours free. Each of these factory manuals are copyrighted by the respective manufacturer. If any manufacturer wishes us to stop distributing their manuals just let us know and we will immediately remove them from these pages. \n Favorite Classics<\/b>\n likewise holds the copyright to ALL material on its pages, including these scans. Respect these copyrights, do not resell. We would appreciate hearing of anyone selling our scans on eBay, etc, so we can request them to stop. Thank you.\n <\/p>\n\n
\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
\n MANUAL<\/b>\n <\/td>\n \n CONTRIBUTOR<\/b>\n <\/td>\n \n NO. OF PAGES<\/b>\n <\/td>\n \n XEROX\/ORIGINAL<\/b>\n <\/td>\n \n REMARKS<\/b>\n <\/td>\n <\/tr>\n
\n   \n Argus A-Four <\/a>\n <\/td>\n Randal Dean <\/td>\n 10<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Argus\n C-3 Match-Matic<\/a>\n <\/td>\n Kar Yan Mak<\/td>\n 21<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Argus\n C-3 Accessory Lenses<\/a>\n <\/td>\n Kar Yan Mak<\/td>\n 8<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Argus\n C-4<\/a>\n <\/td>\n Tom Desaulniers<\/td>\n 13<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Busch\n 4×5 Pressman<\/a>\n <\/td>\n Anonymous<\/td>\n 12<\/td>\n X<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Busch\n Pressman Model C<\/a>\n <\/td>\n Marc Lathrop<\/td>\n 3<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Canon Canolite D Flash Unit<\/a>\n <\/td>\n Kar Yan Mak<\/td>\n 2<\/td>\n O<\/td>\n In English & Japanese<\/td>\n <\/tr>\n
\n   \n Canon Canonet <\/a>\n <\/td>\n pmsac<\/td>\n 13<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Canon Canonet 28<\/a>\n <\/td>\n Kar Yan Mak<\/td>\n 10<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Canon Canonet QL17\/19 G-III<\/a>\n <\/td>\n Unknown<\/td>\n 14<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Canon\n Demi EE17<\/a>\n <\/td>\n Anonymous<\/td>\n 18<\/td>\n X<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Canon\n Demi S<\/a>\n <\/td>\n Henry Taber<\/td>\n 19<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Canon\n EXEE QL<\/a>\n <\/td>\n Kar Yan Mak<\/td>\n 18<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Fujica V2<\/a>\n <\/td>\n Ed Buffaloe<\/td>\n 12<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n\n
\n   \n Kodak\n Retina IIa<\/a>\n <\/td>\n Michael Connelly<\/td>\n 16<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Kodak\n Retina IIc<\/a>\n <\/td>\n Don Doucette<\/td>\n 22<\/td>\n X<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Kodak\n Retina IIIc<\/a>\n <\/td>\n Michael Connelly<\/td>\n 18<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Konica\n Auto S2<\/a>\n <\/td>\n Michael Connelly<\/td>\n 34<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Konica\n C35AF<\/a>\n <\/td>\n Tom Desaulniers<\/td>\n 13<\/td>\n X<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Leica\n If-IIf-IIIf<\/a>\n <\/td>\n Pierluigi Fraboni<\/td>\n 29<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Leica\n M4-P<\/a>\n <\/td>\n Pierluigi Fraboni<\/td>\n 16<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n\n
\n   \n Mamiya\n C3<\/a>\n <\/td>\n Doug Westphal<\/td>\n 10<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Minolta\n 110 Zoom SLR<\/a>\n <\/td>\n John Mourikis<\/td>\n 18<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Minolta\n A5<\/a>\n <\/td>\n John<\/td>\n 12<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Minolta\n Hi-Matic 7<\/a>\n <\/td>\n Anonymous<\/td>\n 14<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Minolta\n Hi-Matic 7s<\/a>\n <\/td>\n John<\/td>\n 21<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Minolta\n Hi-Matic 7sII<\/a>\n <\/td>\n Kah Heng Tan<\/td>\n 14<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Minolta\n Hi-Matic 9<\/a>\n <\/td>\n John<\/td>\n 21<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Minolta\n Hi-Matic F<\/a>\n <\/td>\n Anonymous<\/td>\n 14<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n\n
\n   \n Nikon\n F2A<\/a>\n <\/td>\n Peter Jones<\/td>\n 24<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Nikon\n FE<\/a>\n <\/td>\n Stuart Willis<\/td>\n 25<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Nikon\n FM<\/a>\n <\/td>\n William J. Hayes<\/td>\n 1<\/td>\n O<\/td>\n PDF File, zipped <\/td>\n <\/tr>\n
\n   \n Nikon\n N2000<\/a>\n <\/td>\n Miguel A. Checa<\/td>\n 19<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Olympus\n 35DC<\/a>\n <\/td>\n Michael Frangos<\/td>\n 16<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Olympus\n 35RD<\/a>\n <\/td>\n Mark Dapoz<\/td>\n 12<\/td>\n O<\/td>\n English\/Italian<\/td>\n <\/tr>\n
\n   \n Olympus\n 35SP<\/a>\n <\/td>\n Peter Jones<\/td>\n 15<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Olympus\n Ace-E<\/a>\n <\/td>\n Kar Yan Mak<\/td>\n 10<\/td>\n X<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Olympus\n OM-10<\/a>\n <\/td>\n Ray Farley<\/td>\n 23<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Olympus\n Pen EE-2<\/a>\n <\/td>\n Tom Desaulniers<\/td>\n 4<\/td>\n X<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Olympus\n Pen F<\/a>\n <\/td>\n Henry Taber<\/td>\n 18<\/td>\n X<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Olympus\n Pen FT<\/a>\n <\/td>\n Henry Taber<\/td>\n 16<\/td>\n X<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Olympus\n Pen S (3.5)<\/a>\n <\/td>\n Charles Stobbs<\/td>\n 12<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Olympus\n Trip 35<\/a>\n <\/td>\n Jukka Partanen<\/td>\n 4<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Pentax\n KM<\/a>\n <\/td>\n Bill Keys<\/td>\n 19<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Pentax\n MX<\/a>\n <\/td>\n Ed Matthew<\/td>\n 20<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Pentax\n (Honeywell) SP1000<\/a>\n <\/td>\n Anonymous<\/td>\n 18<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Pentax\n Spotmatic F<\/a>\n <\/td>\n Michael Frangos<\/td>\n 20<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Petri\n 7s<\/a>\n <\/td>\n Anonymous<\/td>\n 10<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n\n
\n   \n Ricoh\n TLS 401<\/a>\n <\/td>\n Stuart Willis<\/td>\n 14<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Rollei\n Rolleiflex 2.8C<\/a>\n <\/td>\n Anonymous<\/td>\n 28<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n\n
\n   \n Voigtlander\n Vitomatic II<\/a>\n <\/td>\n Kar Yan Mak<\/td>\n 19<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Yashica\n 635<\/a>\n <\/td>\n Anonymous<\/td>\n 11<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Yashica\n Electro 35 GSN\/GTN<\/a>\n <\/td>\n Anonymous<\/td>\n 24<\/td>\n O<\/td>\n In English\/Ger\/Fre\/Ita<\/td>\n <\/tr>\n
\n   \n Yashica\n Electro 35 Kit<\/a>\n <\/td>\n Anonymous<\/td>\n 13<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Yashica\n LM<\/a>\n <\/td>\n Anonymous<\/td>\n 9<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Yashica\n Lynx-14<\/a>\n <\/td>\n Rafael Alday Anzola<\/td>\n 28<\/td>\n O<\/td>\n In English\/Ger\/Fre\/Ita<\/td>\n <\/tr>\n
\n   \n Yashica\n Lynx-5000<\/a>\n <\/td>\n Tom Desaulniers<\/td>\n 27<\/td>\n O<\/td>\n In English\/Ger\/Fre\/Ita<\/td>\n <\/tr>\n
\n   \n Yashica\n Lynx-5000E<\/a>\n <\/td>\n Paul Shinkawa<\/td>\n 16<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Yashica\n Mat EM<\/a>\n <\/td>\n Anonymous<\/td>\n 15<\/td>\n O<\/td>\n In English\/Ger\/Fre\/Ita<\/td>\n <\/tr>\n
\n   \n Yashica\n Mat LM<\/a>\n <\/td>\n Anonymous<\/td>\n 10<\/td>\n X<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Yashica\n MG-1<\/a>\n <\/td>\n Tony Golya<\/td>\n 26<\/td>\n O<\/td>\n In English\/Ger\/Fre\/Ita<\/td>\n <\/tr>\n
\n   \n Zeiss Ikon Contina II <\/a>\n <\/td>\n Anonymous<\/td>\n 1<\/td>\n O<\/td>\n PDF File <\/td>\n <\/tr>\n
\n   \n Zeiss\n Ikon Ikoflex Ic<\/a>\n <\/td>\n Anonymous<\/td>\n 16<\/td>\n O<\/td>\n  <\/td>\n <\/tr>\n
\n   \n Zeiss\n Ikon Maximar<\/a>\n <\/td>\n Henry Taber<\/td>\n 1<\/td>\n X<\/td>\n Zipped TIFF files<\/td>\n <\/tr>\n
\n   \n Zeiss\n Ikon Nettar II<\/a>\n <\/td>\n Anonymous<\/td>\n 12<\/td>\n X<\/td>\n  <\/td>\n <\/tr>\n <\/table>\n <\/td>\n <\/tr>\n <\/table>\n","protected":false},"excerpt":{"rendered":"

READ THIS BEFORE DOWNLOADING Please do not download and copy these scans for purposes of reselling or making a profit. These manuals were either scanned by us or given to…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","footnotes":""},"class_list":["post-55","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/hauslendale.com\/kyp\/articles\/wp-json\/wp\/v2\/pages\/55","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hauslendale.com\/kyp\/articles\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hauslendale.com\/kyp\/articles\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hauslendale.com\/kyp\/articles\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hauslendale.com\/kyp\/articles\/wp-json\/wp\/v2\/comments?post=55"}],"version-history":[{"count":2,"href":"https:\/\/hauslendale.com\/kyp\/articles\/wp-json\/wp\/v2\/pages\/55\/revisions"}],"predecessor-version":[{"id":128,"href":"https:\/\/hauslendale.com\/kyp\/articles\/wp-json\/wp\/v2\/pages\/55\/revisions\/128"}],"wp:attachment":[{"href":"https:\/\/hauslendale.com\/kyp\/articles\/wp-json\/wp\/v2\/media?parent=55"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}